While strolling one hot summer day, Dave, an apprentice to a professor from Bezalel, is drawn to a cool breeze coming from a barbershop. Inside, he discovers a sweet, beautiful, married hairdresser. A bond is formed between the two, unaware that great conspiracies are being hatched above their heads that could endanger their love, and much more. The encounter between the two sets in motion a thrilling story, dramatic and comical, police and artistic, that will not stop until the last line.

With a fluid plot full of surprises, and in a style that is no stranger to irony, Noam Jungman faithfully corresponds with the noir genre in cinema and literature, and plays with many myths of this type – the robbery gone wrong, the detective, the femme fatale – without being afraid to turn them on their heads, make fun of them, or break them completely.

Honey in the Trap also seeks to shine a spotlight on the city of Jerusalem, the one of Meta, the one we especially love: the Jerusalem where tired police officers eat shawarma after a night shift, the Jerusalem where frustrated artists search for cold beer by candlelight, the Jerusalem of the dreamy students, of the petty criminals, of the professors and writers, and of many other characters, who come and go, full of life and passion.